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Though it hasn’t been done, yet, the possibility remains.
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Yogev wants the 3D shots to be full motion video, and in real time. Replay Technologies is working at the ragged edges of what can be done in terms of cameras, graphics processing, and bandwidth.
By the end of this year, we may be able to launch the first player.” The footage is taken by multiple cameras positioned around the most pivotal areas of the environment “We already have a prototype of a player, and once we have the 3D data, we can let people play with it. As the ‘director’ of this new shot, you’ll be able to share it as well. With an app or player, the viewer can interact and create a different angle and shot sequence all from this second screen. With the original show remaining on your TV screen, the program will indicate when there is freeD content available-a touchdown or reaction shot. The current plan is to offer this new content as a second screen experience. You can be up in the stadium or right on the field with the players.” As you watch, you’ll have the opportunity to decide whether you want the shot chosen by the show’s director, or a shot of your own choice. “We are already working with a national network for a huge sporting event next year. The result will be a new level of interactive video programming.
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YesView Teledyne h264 2000Kbps 720p from on Vimeo.
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The footage is taken by multiple cameras positioned around the most pivotal areas of the field (the goal posts/hoops/tee-offs), piped via fiber to multiple acquisition boards in a server cluster, and converted into a 3D point cloud database of image information which can then be rendered out by Replay’s sophisticated software at whatever viewing angle the director desires …all in 30-45 seconds. The freeD system takes on a much more complicated task, shooting in a stadium where there is much less control of lighting conditions and environment. In 1999, this shot was achieved using a bulky circular rig in a carefully lit green screen studio. It’s often referred to as “bullet time” footage, named after the famous 360-degree shot of Keanu Reeves dodging bullets in The Matrix. The freeD system that makes this all possible uses high performance area cameras, heavy duty vision processing boards, and advanced algorithms to render photo-realistic, real-time scenes. You want as many users and as much exposure as possible.” In this market you want everything to be viral. With this new technology, we become amateur directors. We learn and share with our family and friends. “Everyone has a camera on their smartphone, and so everyone is an amateur photographer. Yogev, co-founder and CEO of Replay Technologies Inc. But we see the next revolution coming to the consumer side,” says Oren H.
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“Initially, we put this technology in the hands of directors and producers-the ones who know exactly how to build a story with this technology. Replay wants to deliver that power to the viewers. Today, millions of people across the United States have already seen this new reality through Sunday Night NFL Football games, Yankees Stadium, the 2014 NBA All-Stars Weekend, and ATP Masters Tennis. The result? The re-creation of incredible touchdown passes and awe-inspiring slam-dunk replays. The company has pioneered 3D video of sporting events, allowing show producers to move virtual cameras through three-dimensional representations of live events within seconds of play. This new approach to its machine-vision-driven freeD system has the potential to allow you, the viewer, to direct the scene you’re watching. Replay Technologies is developing a new level of interactivity for broadcast video programming.
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